Kate Barlow

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Kate Barlow

About Kate

Kate grew up in North Wales and originally studied costume at the Royal Welsh College of Music and Drama in Cardiff before graduating in 2001 with a BA Hons in Theatre Design. Following this she worked as a freelance costume maker at Glyndebourne Festival Opera and then as part of the Touring Wardrobe department at the Welsh National Opera. Kate has always loved hand embroidery, and got the stitching bug from her Nan at an early age, so in 2013 she decided to take the plunge and re-train as an embroidery tutor at the Royal School of Needlework (RSN) at Hampton Court Palace.

Kate graduated from the Future Tutors Programme at the RSN with distinction in 2016. During the course she studied many traditional hand embroidery techniques including goldwork, Jacobean crewel work, blackwork, stumpwork and silk shading. In 2015 Kates Advanced Silk Shaded budgie “Smuggler” was accepted by the Royal Academy of Arts for their annual Summer Exhibition. The piece was also made into a greetings card.

Kate loves to design her own embroidery kits, using traditional techniques in a contemporary way. She also likes to combine her embroidery with her love of historical dress, creating kits based on original pieces. Her classes can cover all levels of ability, from absolute beginners to more advanced stitchers.  When she’s not involved in freelance projects Kate works as a stitcher for the RSN in their commercial studio, working on conservation, restoration and private commissions.

Kate has taught for the Royal School of Needlework at Hampton Court Palace, RSN Bristol, Bath Fashion Museum, Williamsburg School of Needlework in the U.S., and the RSN 2018 Summer School in Lexington, Kentucky.  She also teaches for The Craft Sanctuary, Needlework Tours and Cruises, The Alpine Experience, Crewelwork Company, and justhands-on.tv !

In 2018 Kate was runner up in The National Needlecraft Awards 2019 Embroidery Designer of the Year category.

Click here for watch an interview with Kate and Valerie where Kate talk about some of the work from her 3 year, Future Tutors Programme at the RSN – – including the award winning budgie “Smuggler.”

www.katebarlowembroidery.com

Signature Technique

Silk Shading

Top Tips

  • You invest a lot of time and love in your stitching so always buy the best quality materials and equipment you can afford. This will give you better results and will create pieces that will last and hopefully become heirlooms!
  • To help stop your threads from becoming knotted and tangled, work with a fairly short length in the needle. About 30cm is a good length and it will also help to maintain the condition of the thread.
  • Don’t be afraid to have a go! Even the best stitchers get very good at unpicking! One of the nice things about hand embroidery is that you can take things out if you’re not 100% happy.
  • Use traditional techniques in a contemporary way to create beautiful textile art.
  • Practise, practise, practise. I know it’s a bit of a cliche but every has to start somewhere are the more you stitch the better you get.
  • Don’t underestimate the healing effects of hand sewing. Your projects don’t need to be complicated, even simple stitching can bring great pleasure and calm.

Videos

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Books, Patterns and Kits

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Posts

A few nice comments from you

By |October 12th, 2013|Categories: Blog, Community|

Hi everybody really a good website will watch this space more often Jill Sent from my iPad (Oct 2013)   Just to say that I think Carolyn Forster is a very good demonstrator.  She speaks clearly and without a dull monotonous voice which some of your speakers unfortunately have! Her projects are also fairly easy to follow. Secondly, I really enjoyed Kaffe`s exhibition of his quilts in Wales.  It was very interesting listening to Jen Jones talk about his work.  Pity it is so far away to visit!

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Filming day with Karen Nicol

By |October 8th, 2013|Categories: Blog, Community|Tags: |

We spent a wonderful morning in the company of this very talented lady;  she lives in Surrey and is a textile artists who has worked for some of the world's top fashion designers and now uses her talents to create stunning unique pieces from the objects she finds around her  - and in charity shops!   Here we are busy chatting over one of her 'lace skirts' which were in an earlier exhibition     She is however currently working on her Monkey Tricks exhibition entitled 'Singerie' - 5th Nov -30th November 2013 and at the Rebecca Hossack Art Gallery, 28 Charlotte Street, Fitzrovia, London W1T 2NA  
  To see more of Karen's work you can visit her website: (and she also the author of  a lovely book entitled 'Embellished - new vintage')
www.karennicol.com   She is part of a very talented textile household as her husband (Peter Clark) works in paper collage: - you can see his work when you visit
www.peterclarkcollage.com

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What to do about the layers in hand applique

By |October 8th, 2013|Categories: Community, Q & A|Tags: |

Question: I am trying to do an applique flower it has abour 4 layers, including the back ground fabric, would it be better to applique 2 layers first, then do 2 on there own, and then attach it to the first 2 layers? as when i do the 4 altogether l am finding it hard to get the needle to go through all 4 layers.i am hand stitching the design.thank-you this is my first attempt at this so am very green on the best way to do this. Thank-you for any advice Sandra   Answer from Valerie: The easiest way to do this layered flower is to put the first piece down - i.e.

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