Kate Barlow

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Kate Barlow

About Kate

Kate grew up in North Wales and originally studied costume at the Royal Welsh College of Music and Drama in Cardiff before graduating in 2001 with a BA Hons in Theatre Design. Following this she worked as a freelance costume maker at Glyndebourne Festival Opera and then as part of the Touring Wardrobe department at the Welsh National Opera. Kate has always loved hand embroidery, and got the stitching bug from her Nan at an early age, so in 2013 she decided to take the plunge and re-train as an embroidery tutor at the Royal School of Needlework (RSN) at Hampton Court Palace.

Kate graduated from the Future Tutors Programme at the RSN with distinction in 2016. During the course she studied many traditional hand embroidery techniques including goldwork, Jacobean crewel work, blackwork, stumpwork and silk shading. In 2015 Kates Advanced Silk Shaded budgie “Smuggler” was accepted by the Royal Academy of Arts for their annual Summer Exhibition. The piece was also made into a greetings card.

Kate loves to design her own embroidery kits, using traditional techniques in a contemporary way. She also likes to combine her embroidery with her love of historical dress, creating kits based on original pieces. Her classes can cover all levels of ability, from absolute beginners to more advanced stitchers.  When she’s not involved in freelance projects Kate works as a stitcher for the RSN in their commercial studio, working on conservation, restoration and private commissions.

Kate has taught for the Royal School of Needlework at Hampton Court Palace, RSN Bristol, Bath Fashion Museum, Williamsburg School of Needlework in the U.S., and the RSN 2018 Summer School in Lexington, Kentucky.  She also teaches for The Craft Sanctuary, Needlework Tours and Cruises, The Alpine Experience, Crewelwork Company, and justhands-on.tv !

In 2018 Kate was runner up in The National Needlecraft Awards 2019 Embroidery Designer of the Year category.

Click here for watch an interview with Kate and Valerie where Kate talk about some of the work from her 3 year, Future Tutors Programme at the RSN – – including the award winning budgie “Smuggler.”

www.katebarlowembroidery.com

Signature Technique

Silk Shading

Top Tips

  • You invest a lot of time and love in your stitching so always buy the best quality materials and equipment you can afford. This will give you better results and will create pieces that will last and hopefully become heirlooms!
  • To help stop your threads from becoming knotted and tangled, work with a fairly short length in the needle. About 30cm is a good length and it will also help to maintain the condition of the thread.
  • Don’t be afraid to have a go! Even the best stitchers get very good at unpicking! One of the nice things about hand embroidery is that you can take things out if you’re not 100% happy.
  • Use traditional techniques in a contemporary way to create beautiful textile art.
  • Practise, practise, practise. I know it’s a bit of a cliche but every has to start somewhere are the more you stitch the better you get.
  • Don’t underestimate the healing effects of hand sewing. Your projects don’t need to be complicated, even simple stitching can bring great pleasure and calm.

Videos

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Books, Patterns and Kits

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Posts

Hexagons, the Magna Carta and The Stitch Witch

By |January 15th, 2015|Categories: Blog, Community|

what brings them all together?  well a filming day with Justhands-on.tv of course. We were joined at the Legacy Hotel Hogs Back by Nancy from Lina Patchwork;  Nancy is passionate about English Paper Piecing and she cuts out thousands of accurate paper pieces for us to purchase and use!  She did a series of very comprehensive workshops for us - so keep an eye out for those.

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To wash or not to wash your fabric ?

By |January 15th, 2015|Categories: Community, Q & A|

In today's world of pre-cuts pre-washing your fabric is not always possible; Question: Some time ago you had a little talk with Jenny about the pro's and con's of washing or not washing patchwork cotton material.this means I do know that it appears to be an individual choice.---- However, I found that the limpness and the sometimes distorted outcome of the washed material quite a challenge when doing small precision pieces.
Spray starch is also not the answer, as it invariably is not applied equally over the fabric.
I really do not feel like washing any more except where the material has either been from an old garment/article or it is soiled.
Have you got any kind of advise I might have so far overlooked?

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The Most Watched for 2014

By |January 9th, 2015|Categories: Blog, Community|

Top 15 films in 2014 Midsummer Mystery Quilt Miniature Quilts with Julia Gahagan Hexagons with Carolyn Forster Owl Bunting with Jennie Rayment Courthouse Steps Scrap Quilt with Valerie Nesbitt Quick-Strip Childrens Quilt with Valerie Nesbitt Lily Block with Jennie Rayment Wrist Pincushion with Jennie Rayment Chicken Pincushion with Jennie Rayment Strip Pieced Diamond Quilt with Valerie Nesbitt 40 Minute Scrap Quilt with Valerie Nesbitt Hexagon Tree Decorations from Jennie Rayment Tucked Up band with Jennie Rayment How to Make  Secret Pillow with Valerie Nesbitt Your First Sampler Quilt with Valerie Nesbitt   Did you miss?

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