About Kate
Kate grew up in North Wales and originally studied costume at the Royal Welsh College of Music and Drama in Cardiff before graduating in 2001 with a BA Hons in Theatre Design. Following this she worked as a freelance costume maker at Glyndebourne Festival Opera and then as part of the Touring Wardrobe department at the Welsh National Opera. Kate has always loved hand embroidery, and got the stitching bug from her Nan at an early age, so in 2013 she decided to take the plunge and re-train as an embroidery tutor at the Royal School of Needlework (RSN) at Hampton Court Palace.
Kate graduated from the Future Tutors Programme at the RSN with distinction in 2016. During the course she studied many traditional hand embroidery techniques including goldwork, Jacobean crewel work, blackwork, stumpwork and silk shading. In 2015 Kates Advanced Silk Shaded budgie “Smuggler” was accepted by the Royal Academy of Arts for their annual Summer Exhibition. The piece was also made into a greetings card.
Kate loves to design her own embroidery kits, using traditional techniques in a contemporary way. She also likes to combine her embroidery with her love of historical dress, creating kits based on original pieces. Her classes can cover all levels of ability, from absolute beginners to more advanced stitchers. When she’s not involved in freelance projects Kate works as a stitcher for the RSN in their commercial studio, working on conservation, restoration and private commissions.
Kate has taught for the Royal School of Needlework at Hampton Court Palace, RSN Bristol, Bath Fashion Museum, Williamsburg School of Needlework in the U.S., and the RSN 2018 Summer School in Lexington, Kentucky. She also teaches for The Craft Sanctuary, Needlework Tours and Cruises, The Alpine Experience, Crewelwork Company, and justhands-on.tv !
In 2018 Kate was runner up in The National Needlecraft Awards 2019 Embroidery Designer of the Year category.
Signature Technique
Silk Shading
Top Tips
- You invest a lot of time and love in your stitching so always buy the best quality materials and equipment you can afford. This will give you better results and will create pieces that will last and hopefully become heirlooms!
- To help stop your threads from becoming knotted and tangled, work with a fairly short length in the needle. About 30cm is a good length and it will also help to maintain the condition of the thread.
- Don’t be afraid to have a go! Even the best stitchers get very good at unpicking! One of the nice things about hand embroidery is that you can take things out if you’re not 100% happy.
- Use traditional techniques in a contemporary way to create beautiful textile art.
- Practise, practise, practise. I know it’s a bit of a cliche but every has to start somewhere are the more you stitch the better you get.
- Don’t underestimate the healing effects of hand sewing. Your projects don’t need to be complicated, even simple stitching can bring great pleasure and calm.
Videos
Posts
20 November 2015
New Videos Every Friday [...]
Same pattern different quilts.
One of the enduring joys of patchwork I think is that the same pattern, using different fabrics ends up creating such a different quilt and I wanted to share with you my latest favourite scrap quilt. Here it is made up three times and just how different can they be! Their destination is the charity Momentum (based in Kingston upon Thames) who look after and suppport children with life limiting illnesses and their families, and also to St.George's children's ward (where one my students is the nurse in charge!) My thanks to Lynne Goldsworthy for the original pattern which is featured in the Sept/Oct 2015 issue of Quilting for You entitled Sherwood Forest - I did make one quilt using her instructions and then rescaled for the three above down to a 6" block.
How NOT to make half-square triangle units.
As someone who thinks the rotary cutter is the best bit of kit ever invented for patchworkers, I am open to any idea that is quick and easy. BUT that doesn't mean throwing caution to the wind and the current trend flooding the internet to completely ignore the grain of the fabric when making quilts, fills me with horror (and I know lots of quilts that will be horrific too!) The current issue of Love Patchwork & Quilting shows a stunning quilt on the cover designed by Amanda Castor, but when looking at the making instructions all the half-square triangle are off-grain, and then the blocks are set on point, and then the edges are cut - for a beginner this is a nightmare scenario and if you haven't someone to ask, you will wonder why everything goes wobbly when you try to quilt it - and applying spray starch is not the answer.
