Kate Barlow

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Kate Barlow

About Kate

Kate grew up in North Wales and originally studied costume at the Royal Welsh College of Music and Drama in Cardiff before graduating in 2001 with a BA Hons in Theatre Design. Following this she worked as a freelance costume maker at Glyndebourne Festival Opera and then as part of the Touring Wardrobe department at the Welsh National Opera. Kate has always loved hand embroidery, and got the stitching bug from her Nan at an early age, so in 2013 she decided to take the plunge and re-train as an embroidery tutor at the Royal School of Needlework (RSN) at Hampton Court Palace.

Kate graduated from the Future Tutors Programme at the RSN with distinction in 2016. During the course she studied many traditional hand embroidery techniques including goldwork, Jacobean crewel work, blackwork, stumpwork and silk shading. In 2015 Kates Advanced Silk Shaded budgie “Smuggler” was accepted by the Royal Academy of Arts for their annual Summer Exhibition. The piece was also made into a greetings card.

Kate loves to design her own embroidery kits, using traditional techniques in a contemporary way. She also likes to combine her embroidery with her love of historical dress, creating kits based on original pieces. Her classes can cover all levels of ability, from absolute beginners to more advanced stitchers.  When she’s not involved in freelance projects Kate works as a stitcher for the RSN in their commercial studio, working on conservation, restoration and private commissions.

Kate has taught for the Royal School of Needlework at Hampton Court Palace, RSN Bristol, Bath Fashion Museum, Williamsburg School of Needlework in the U.S., and the RSN 2018 Summer School in Lexington, Kentucky.  She also teaches for The Craft Sanctuary, Needlework Tours and Cruises, The Alpine Experience, Crewelwork Company, and justhands-on.tv !

In 2018 Kate was runner up in The National Needlecraft Awards 2019 Embroidery Designer of the Year category.

Click here for watch an interview with Kate and Valerie where Kate talk about some of the work from her 3 year, Future Tutors Programme at the RSN – – including the award winning budgie “Smuggler.”

www.katebarlowembroidery.com

Signature Technique

Silk Shading

Top Tips

  • You invest a lot of time and love in your stitching so always buy the best quality materials and equipment you can afford. This will give you better results and will create pieces that will last and hopefully become heirlooms!
  • To help stop your threads from becoming knotted and tangled, work with a fairly short length in the needle. About 30cm is a good length and it will also help to maintain the condition of the thread.
  • Don’t be afraid to have a go! Even the best stitchers get very good at unpicking! One of the nice things about hand embroidery is that you can take things out if you’re not 100% happy.
  • Use traditional techniques in a contemporary way to create beautiful textile art.
  • Practise, practise, practise. I know it’s a bit of a cliche but every has to start somewhere are the more you stitch the better you get.
  • Don’t underestimate the healing effects of hand sewing. Your projects don’t need to be complicated, even simple stitching can bring great pleasure and calm.

Videos

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Books, Patterns and Kits

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Posts

First Sampler Quilt Finished!

By |May 29th, 2013|Categories: Community, Show and tell|

Hurray I have just finished my quilt.  I love it.  For me it looks fabulous.  I know I can improve in stitch in the ditch and quilting but as you tell us practice makes perfect.
Thanks a lot for your tuition and guidance.  
Regards
Joyce   It's lovely Joyce and yes you will always improve with practice, but we never seem to stop learning or improving!   Its a journey that I hope you will continue to enjoy.

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How do you do an applique flower with 4 layers?

By |May 26th, 2013|Categories: Blog, Community|

This was a question posed to us by Sandra: and here is my answer:   The easiest way to do this layered flower is to put the first piece down - i.e. the largest, and sew all the way round; turn the work over and trim away the excess fabric (i.e. the background fabric) from beneath the flower leaving approx 1/4"  (if you watch the tip for the grandmother's fan you will see what I mean;)click here:

then add the second, smaller flower, turn the work over and again trim away the excess fabric;   and you then repeat for each of the layers - that way you keep the fabric from being very bulky and it is easier to quilt through - even by hand.

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Iron Caddy Tote from Jo

By |May 18th, 2013|Categories: Community, Show and tell|

Hi Val,
I made this iron tote bag last week, with the pattern (available from the shopping pages)plus the fabric from Creative Quilting, after being inspired by your piece on Just Hands On.     Thanks for your great tips - it was a fun project and has been in use twice already! Jo   Love the fabric Jo !  (a  print from Makower - the Henley Studio) If you want to watch the video she refers to  you can click here:    

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