About Helen
Helen can’t remember a time when she wasn’t making something. As a young child her greatest joy was the ‘useful box’ which lived in the cupboard under the stairs and was the repository for empty egg boxes, cereal packets and yogurt pots, all fantastic stuff to feed a creative mind.
When Helen was seven her Grandmother taught her to sew and opened her mind to a whole new avenue of creative expression. Helen designed and made her first full size cross-stitch sampler before she was nine, and made various garments for dolls and bears and eventually herself, creating patterns by the simple method of lying on the floor and drawing round herself, much to the amusement of her Mother & Grandmother – both accomplished dressmakers.
Helen worked in graphics, and then advertising, for ten years, until she and her partner had the opportunity to quit the London rat-race and move to Yorkshire to run the family’s marina business. During this time, Helen taught herself patchwork, quilting, beading, origami, marquetry, doll making and canvas work. She discovered that, not only does she love crafting and the challenge of learning something new, she also had a hitherto undiscovered competitive streak deep inside which prompted her to hone these new skills to the point where she regularly won awards in the handicrafts section of shows.
Fifteen years later, Helen decided to combine her experience of running a business with her enduring passion for crafting to start LITTLE PATCH POCKETS. Helen creates patchwork designs and writes patterns so you can make your own unique, lovely things. She also offers kits, classes and workshops where she teaches her designs.
Helen loves using three dimensional illusions in her work. According to Helen, “I love to create an illusion of three dimensions and many of my designs are based on this concept. I do occasionally use curved lines, but since my mind seems to work in straight lines I find lots of inspiration in architecture, engineering and even mathematical concepts. I like accurate piecing and often create my own foundation paper pieced blocks in order to achieve the precision I enjoy.”
Helen is an avid follower of the Modern Quilt Movement as well as a great believer that quilts are for using: “for your three-year-old to drag down the garden, for the dog to sleep on and to go in the washing machine.”
Signature Technique
Modern Quilting
Helen’s Top Tips
- Colour choice is key to 3D work. Always select three shades of the same colour, or light, medium and dark tones of the same colour.
- Auditioning fabrics is one of the most useful skills any patchwork artist can develop. A quilt needs contrast of tone, however subtle, to accentuate the design.
- Never use a fabric with a low thread count or a loose weave, however good the colour. Thinner fabrics do not handle well, will fray quickly and will not wear well in the finished quilt. It is worth investing in good fabrics.
- Many of the fabrics at the cheaper end of the market cover up this deficiency with excessive amounts of surface ink and stiffening treatments – the secret is to turn to the back and check.
- Always look for a fabric that is likely to shrink only minimally. Some shrinkage is to be expected, especially when combining fabrics from different manufacturers. Look on this as part of the charm of a washed quilt. However, cheap fabric with an open, loose weave will shrink hugely when washed, ruining your work.
Videos
Books and Patterns
Posts
National Patchwork Championship weekend
Val: Well what a weekend we had; hubby and I were at the show at Sandown Racecourse, Esher in Surrey with our Justhands-on.tv hats on and it was such a pleasure to meet so many of you. I was also helping on the Creative Quilting stand - and boy were we busy there too, and then on Sunday I was there with the boys from Bizview.tv filming for the future - we met the new girls from Coloricious who make DVDs for the mixed media textile side of our business; Claire from Hannah's room did a great workshop for us using paints and shaving foam - you need to see it to believe it, but really great; Jennifer Trollope came up with a very clever colour workshop to use up our scraps into a very appealing kaleidoscope effect and using pritt stick (or similar!) and we had a truely terrific interview with Jacquie Harvey who is a very talented handquilting artist and her christening gown won the overall Championship rosette as well as the Handquilting rosette and the Wearable art rosette.
Endorsement from Karin Hellaby
Val; Karin Hellaby, quilter, author and owner of Quilters Haven said this : I do hope you will take a look at this fast growing site and consider becoming a member. With your help it can only get better and better! Why not email the link to all your quilting friends worldwide to let them know that here is a site that is showing what is going on in the textile world in the UK.
How to Make Tumbling Blocks Patchwork
Val: Tumbling blocks are a traditional favourite and often done over papers; it is based on the light/medium/dark theme to give dimension. In this short video our Jennie shows you how to make this pattern without papers and shows you the technique for insetting the seam, which works for both machine and handwork. One of the quilts on display at the current V&A Exhibition shows a scrap version of this - so now you can make your own!