About Jenny
Jenny is a modern quilt designer and teacher known for her colourful, curvy machine pieced patterns.
Jenny Haynes (née Nilsson) studied Pattern Cutting and Tailoring in her native Stockholm. Soon after, she followed her passion for fabrics and moved to London to study Fashion and Textiles at the London College of Fashion. She went on to develop her own label ‘Papper, Sax, Sten’ (that’s ‘Paper, Scissors, Stone’ in case you’re wondering!), creating award-winning designs that reflect her many different influences. She is based out of Sheffield, now.
Her bespoke quilts and furnishings are recognised for their clean and simple, mid-century modern design. Jenny mixes rich colours with pastels and is not scared of a colour clash. She often uses her trademark curves together with solid fabrics, while remaining faithful to her Scandi’ roots.
Jenny’s work was recognised in Summer 2015 when Jenny was invited by the Swedish Chamber of Commerce, along with 18 other Swedish designers, to be a part of Heal’s Swedish Summer Exhibition. Heal’s have a long history of promoting Swedish design with exhibitions in 1923, 1951 and 1971.
Her quilts and patterns appear regularly in books and magazines, including Thames & Hudson for the V&A and in Patchwork & Quilting: A Maker’s Guide, ‘Designed by teachers and practitioners at the leading edge of today’s craft revival.
Two of her quilts won awards at QuiltCon 2019 in Nashville. QuiltCon is arranged by the Modern Quilt Guild and is the biggest exhibition of modern quilts in the World.
When Jenny isn’t designing her curvy and quirky quilt patterns, she teaches at the V&A as well as giving talks and running workshops for Guilds and textile venues in the UK and abroad. She also offers live online workshops.
You can watch Jenny demonstrate how to sew no pin curves in this episode of The Makers Studio series.
Signature Technique
Colourful curvy quilt patterns
Top Tips
- Use a shorter stitch length (1.8) for stitching curves to give your block extra strength and to avoid splitting in the seam.
- When colours clash a bit it gives your quilt spark.
- When sewing curves, always start with the smallest curve then work your way up.
- Your finger is the pin when sewing no pin curves.
- Always finish all of your piecing before pressing your block. It’s easy to stretch your block out of shape if you press before you are done.
- Press your seams open for a flat, block print like finish.
- Use a tailor’s block to help you seams stay flat.
- Precise and variable quilting designs help to enhance the organic shapes in your quilt.
Videos
Patterns
Posts
Take 9 variation from Tina
Tina came to our weekend retreat with some wonderful turquoise fabrics AND a fabric with the pink ribbon logo of Cancer Rearch and wanted to make her dear friend a quilt; not only did we redesign the front blocks - a version of the Take 9 that others were working on - but we worked on the back too and while the quilt wasn't finished in the weekend - it is now!
Dresden Plate from Joyce
I would like to show you my Dresden Plate lap quilt which I have just finished. It is such a delightful pattern and I might try something with the tucks in as Jenny demonstrates. May I say how much I enjoyed today's workshop of Jenny's Origami Hexagon. we could not have a - it was just lovely. Many thanks.
Crazy Patchwork options
Question from Anna: Can one use an oblong or has it got to be a square? (You made yours 9 3/4 inches, I, on the other hand, could make mine 9" X 11.5")
I am aware that this then would limit the way one could put them together. With a square one can rotate 4 times, with an oblong it works only two ways.) Answer:
You can of course tinker with this as you wish but the 5 sided figure in the middle gives the more traditional look; sewing is much easier with a 4 sided centre but then you run the risk of it looking a little like log cabin - which again may be your choice.
As you say with a rectangular finish then you can only turn the blocks in the opposite direction rather than rotating them in your finished design.