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Dionne Swift

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About Dionne

Dionne paints with stitches to create dynamic, vibrantly coloured textiles. Her needle becomes her pen and thread her ink. The scale, emotion, and energy of her landscapes are inspirational.

Dionne is a graduate of Goldsmith’s College, London University. She has a Masters in Textiles from UCE. And she has been recognised by the industry for her incredible work, e.g. Shortlisted Finalist in the Fine Art Textiles Award at The Festival of Quilts 2020.

Now based between Yorkshire [UK] and Abruzzo [Italy], she exhibits and tutors internationally.

​You can watch Dionne demonstrate how to use free motion embroidery to create a range of patterns, textures, tones, and shades in an episode of The Makers Studio series, brought to you by Janome and justhands-on.tv.

Click here to watch Dionne Swift in The Makers Studio.

www.dionneswift.com

Signature Technique

Painting with stitches

Top Tips

  • Use a vibrant mix of thread weights, colours, and styles to build up a more dynamic texture.
  • A machine with an extra wide throat makes it easier to manipulate your piece.
  • Cover your hoop with fabric to give it more grip. You need the fabric to stay drum like as you manoeuvre it.
  • Drawing your subject first, with pencil on paper, can help improve your observation and knowledge of your subject – try not to work from a photograph.
  • Practice by stitching your signature to get started. Your muscle memory will help you.
  • Think of painting with stitches as an orchestra with the sewing machine, threads, fabric, hoop, and you (!) coming together to work as one.
  • Don’t be afraid of the machine. After a few hours of speed sewing it becomes second nature.
  • Try not to have a set image of the outcome. You are not stitching an exact replica. The result is where you get to. There is no wrong in there. Enjoy the journey.

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Patterns

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Posts

Filming day with Karen Nicol

We spent a wonderful morning in the company of this very talented lady;  she lives in Surrey and is a textile artists who has worked for some of the world's top fashion designers and now uses her talents to create stunning unique pieces from the objects she finds around her  - and in charity shops!   Here we are busy chatting over one of her 'lace skirts' which were in an earlier exhibition     She is however currently working on her Monkey Tricks exhibition entitled 'Singerie' - 5th Nov -30th November 2013 and at the Rebecca Hossack Art Gallery, 28 Charlotte Street, Fitzrovia, London W1T 2NA  
  To see more of Karen's work you can visit her website: (and she also the author of  a lovely book entitled 'Embellished - new vintage')
www.karennicol.com   She is part of a very talented textile household as her husband (Peter Clark) works in paper collage: - you can see his work when you visit
www.peterclarkcollage.com

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What to do about the layers in hand applique

Question: I am trying to do an applique flower it has abour 4 layers, including the back ground fabric, would it be better to applique 2 layers first, then do 2 on there own, and then attach it to the first 2 layers? as when i do the 4 altogether l am finding it hard to get the needle to go through all 4 layers.i am hand stitching the design.thank-you this is my first attempt at this so am very green on the best way to do this. Thank-you for any advice Sandra   Answer from Valerie: The easiest way to do this layered flower is to put the first piece down - i.e.

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What to do with the fusible applique pieces.

Question: Hi have just recieved Mandy Shaws Follow your own star quilt pattern and have already become stuck with the applique angels . They all have different coloured drsses on, so do l first cut out the whole angel then cut out the different parts of their colthes and then fuse them on to the background angel so it appears they are dressed ?

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2022-03-17T13:27:57+00:00
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