About Dionne
Dionne paints with stitches to create dynamic, vibrantly coloured textiles. Her needle becomes her pen and thread her ink. The scale, emotion, and energy of her landscapes are inspirational.
Dionne is a graduate of Goldsmith’s College, London University. She has a Masters in Textiles from UCE. And she has been recognised by the industry for her incredible work, e.g. Shortlisted Finalist in the Fine Art Textiles Award at The Festival of Quilts 2020.
Now based between Yorkshire [UK] and Abruzzo [Italy], she exhibits and tutors internationally.
You can watch Dionne demonstrate how to use free motion embroidery to create a range of patterns, textures, tones, and shades in an episode of The Makers Studio series, brought to you by Janome and justhands-on.tv.
Signature Technique
Painting with stitches
Top Tips
- Use a vibrant mix of thread weights, colours, and styles to build up a more dynamic texture.
- A machine with an extra wide throat makes it easier to manipulate your piece.
- Cover your hoop with fabric to give it more grip. You need the fabric to stay drum like as you manoeuvre it.
- Drawing your subject first, with pencil on paper, can help improve your observation and knowledge of your subject – try not to work from a photograph.
- Practice by stitching your signature to get started. Your muscle memory will help you.
- Think of painting with stitches as an orchestra with the sewing machine, threads, fabric, hoop, and you (!) coming together to work as one.
- Don’t be afraid of the machine. After a few hours of speed sewing it becomes second nature.
- Try not to have a set image of the outcome. You are not stitching an exact replica. The result is where you get to. There is no wrong in there. Enjoy the journey.
Videos
Patterns
Posts
Fusible Wadding
I have purchased fusible wadding for a wall hanging made yesterday, but it came off a roll and there were no instructions. Do I just layer up with my project back and front and iron on? Answer: I seem to recall that a good press will adhere the wadding BUT a gentle iron will add to the fusion; so see what works!
To sash or not to sash (your quilt)
I have just finished 12 blocks and i'm ready to put them together.
The question is 'to sash or not to sash'. Is there a rule? Answer: Definitely personal choice but you might also be governed by how big you want the quilt to be; and are you adding more borders? In which the 1st outside sashing could be considered to be a border - see The First Sampler Quilt series if you want to know what I mean.
Also it depends on the block: by putting them together do you get an interesting secondary pattern? or are there more seams that need matching that you don't want?!?!?
Border Fabric need joining but where?
One of my ladies is piecing the top of a 9 block sample quilt..and because she has made her sashing a little wider..when she is putting her border on the it is shorter than the full width of the fabric by a few inches...she will obviously have to add a little but where would you suggest she puts this add on please?